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Yuko Hasegawa is a curator, educator and writer based out of Tokyo. She currently holds positions as Director of the 21st Century Museum of Contemporary Art, Kanazawa, Artistic Director of the Inujima Art House Project and Professor of Graduate School of Global Arts, Tokyo University of the Arts. She was Artistic Director of the Museum of Contemporary Art, Tokyo until 2021 and during her post she curated solo exhibitions of Dumb Type, Olafur Eliasson and rhizomatiks amoung others.
She has curated Japanese contemporary art and media and technology extensively both domestically and internationally. Her curatorial language is interdisciplinary, encompassing not simply art but also architecture, design, science and anthropology, and combined with global curating experience, allows her to view art as part of a single, holistic ecology.
Hasegawa has also curated, either solo or in a joint capacity, international art biennials including the 7th International Istanbul Biennial (2001), the Shanghai Biennale (2002), the 29th São Paulo Biennial (2010), the Sharjah Biennial 11 (2013), and the 7th Moscow Biennale (2017), Thailand Biennale, Korat (2021) and also served as art advisor to the 12th Venice Architecture Biennale (2010).
In parallel with her curating roles, as a professor of Curatorial Studies at the Tokyo University of the Arts Graduate School of Global Arts since 2015, Yuko Hasegawa has taught students of multiple nationalities, while continuing to construct curatorial theories and contribute to the development of contemporary art discourse from non-western-centric points of view. She has also written, co-authored and contributed to numerous books, papers and catalogues. Among her most recent publications is New Ecology and Art: Anthropocene as dithering time.
Hasegawa has been honored with the Chevalier de l’Ordre des Arts et des Lettres, France (2015), the Ordem de Rio Branco, Brazil (2017), and Japan Commissioner for Cultural Affairs Award, the Agency for Cultural Affairs, Japan (2020).