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The 2027 Sovereign Asian Art Prize

Launched in 2003, The Sovereign Asian Art Prize increases the international exposure of artists in the region while raising funds for programmes that support disadvantaged children using expressive arts. Held annually, The Prize is now recognised as the most established and prestigious annual art award in Asia-Pacific. View, vote and bid on this year’s shortlisted artists through the gallery below.

Our Aims

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To Promote Artists

To widen and build knowledge of the work of artists from each region, increasing their public visibility, exposure in the art market and a attracting a wider international following. 

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To Educate

To share a balanced representation of the most significant artists from each region and showcase the diverse character and qualities of their works through rich educational programmes. 

Engage the public
To Engage the Public

To exhibit the works in a public art space or museum so visitors may directly engage with some of the best  art from the region and to make this exhibition available to as broad an audience as possible. 

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To Raise Funds

To sell the finalists artworks for charity, raising a significant amount for the artists and for our expressive arts programmes that support vulnerable children. 

How It Works

01

Nomination and Shortlisting

The Prize invites contemporary artists, nominated by a board of independent art professionals and galleries (artists who are nominated by galleries required approval from SAF Nominating Committee to enter the Prize), to each enter up to three artworks online. A judging panel comprised of world-class art experts then shortlists the 30 best artworks from a range of digital images. Click here for T&Cs.

02

Exhibition

The shortlisted artworks are exhibited in Hong Kong. Members of the public can enjoy the artworks and engage in the public vote. Local students are offered the opportunity to engage in educational programming.

At the exhibition, the artworks are judged for a second time and voted on by the public. The judges scores are aggregated, and a Grand Prize winner is named.

03

Public Vote

To increase exposure for the artists, the general public are invited to cast a vote online or in person for their favourite shortlisted artwork. The most popular artwork is awarded the Public Vote Prize.

04

Charity Auction

The shortlisted artworks, besides the Grand Prize winner, are auctioned and proceeds are split evenly between the artists and SAF’s expressive arts programming. Click here to learn more about the cause.

Artists receive the same split as they would through a gallery and the artworks often fetch higher prices thanks to generous bidding from charity patrons.

The Prizes

There are two cash prizes available to shortlisted artists. In addition, all finalists enjoy increased international exposure, top tier media coverage, and the opportunity to exhibit their work publicly in Hong Kong.

01
Grand Prize image

Grand Prize

Awarded to the artist with the highest aggregated score from the judges.

02
Vogue Women's Prize image

Vogue Women’s Prize

In partnership with Vogue Hong Kong, this award recognises the highest‑scoring woman finalist.

03
Public Vote Prize image

Public Vote Prize

Awarded to the artist with the most votes from the public.

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Key Dates

Nomination Deadline

— 9 October 2026

Entry Period

15 September — 19 October 2026

Shortlist Announcement

— April 2027

Finalists Exhibition

— May 2027

Judges

To be announced

Nominators

Australia/
Eleanor Scicchitano
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Eleanor Scicchitano

Indpendent Curator

Eleanor is a Kaurna Country Adelaide-based independent curator and writer. She is the Founder and Director of Post Office Projects Gallery + Studios in Port Adelaide. Her previous roles include positions at Country Arts SA, Tandanya -NACI, SALA Festival, Helpmann Academy, Adelaide Contemporary Experimental and FELTSpace ARI.

Eleanor’s curatorial practice commonly focuses on exploring ideas of materiality, the body and how collaboration strengthens agency. Her most recent investigations have focused on the potential of edge spaces as sites for experimentation and as a meeting space. Eleanor has curated exhibitions throughout Australia.

 

www.realcuratorswearblack.com

Tim Etchells and India Ford
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Tim Etchells and India Ford

Founder and Co-Owner (Tim Etchells), Fair Manager (India Ford) of Sydney Contemporary

Tim Etchells

Tim Etchells has spent the last 30 years creating and managing Events and Fairs all over the world. From The Good Food Shows to London Fashion Week to Art HK, Tim has worked in numerous different industry sectors across different countries. In 2008 Tim developed the idea to stage Art HK which became the largest art fair in Asia, and is now under the ownership of MCH and renamed Art Basel Hong Kong. In 2013 Tim launched Sydney Contemporary initially on a biannual basis. Having established itself as the largest international art fair in Australasia, Sydney Contemporary moved to an annual cycle in 2017. Tim’s art fair portfolio includes ART SG (Singapore), Taipei Dangdai (Taiwan) and Art Central (Hong Kong).  In 2016 Tim received two separate Lifetime Achievement Awards from the UK Exhibition industry.

 

India Ford

India is Fair Manager at Sydney Contemporary, having previously joined the fair as VIP Relations Liaison. She holds an MA in Art History from the University of Edinburgh and has a background in contemporary and Indigenous Australian art, including previous experience with Utopia Art Sydney. Her broader professional experience spans the events, luxury hospitality, not-for-profit and financial services sectors, bringing a diverse perspective to her engagement with artists, galleries and the wider contemporary art landscape.

 

https://sydneycontemporary.com.au/

Bangladesh/
Kehkasha Sabah
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Kehkasha Sabah

Independent Curator and Researcher

Kehkasha Sabah is an independent curator, writer, and researcher from Bangladesh with over a decade of experience across art, culture, pedagogy, and technology. Her practice explores curatorial ecosystems through narratives of care, alongside research on post-pandemic and posthuman curatorial strategies as part of her academic research. She has collaborated with institutions including Art Exchange Moving Image as Fellow, MoMA, British Council, and Goethe-Institut, and many more local and international non-profits, including 4o art collectives across the Global South. Kehkasha is the co-curator of the Midnight’s Third Child Project, a yearlong research project on Moving Image.

 

https://www.kehkasha.name/

 

Ruxmini Choudhury
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Ruxmini Choudhury

Curator

Ruxmini Choudhury is a curator, art writer, researcher, and bilingual translator based in Dhaka, Bangladesh. She has been working as a Curator of the Samdani Art Foundation and has been part of the core curatorial team since 2014. Among the many initiatives she has introduced and developed for Dhaka Art Summit are its art mediation program and the Samdani Artist Led Initiatives Forum, part of her ongoing interest in exploring ways to make art more approachable and interactive to the public.

 

https://www.samdani.com.bd/

Tayeba Begum Lipi
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Tayeba Begum Lipi

Visual Artist & Co-Founder/Trustee, Britto Arts Trust

Tayeba Begum Lipi has done several solo exhibitions and projects in Singapore, Istanbul, London, Dhaka, NYC, Hong Kong, and Delhi. Her major group exhibitions include Guggenheim NYC, Singapore & Hong Kong; Tate Modern London, Arnhem Museum Netherlands; Royal Ontario Museum, Toronto; Centraal Museum Netherlands; Thailand Biennale Chiang Rai; Taragaon Next, Kathmandu, National Museum Colombo; Fondation Villa Datris, L’Isle-sur-la-Sorgue, France, documenta fifteen’, Kunsthaus Zurich, Centraal Museum Netherlands, Harewood Biennale, U.K., Asia Now Paris, 2nd Diriyah Bennale, Riyadh; MAXXI Rome, Eli and Edythe Broad Art Museum USA, Modern Art Museum Shanghai, and 54 & 56 Venice Biennale.

 

 

Cambodia/
Dana Langlois
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Dana Langlois

Founder/Artistic Director

Dana Langlois is a curator and cultural entrepreneur who has been actively engaged in Cambodia’s contemporary art scene since 2000. As the founder and artistic director of Java Creative Café, she has produced hundreds of exhibitions and programs, alongside launching initiatives like Our City Festival and Creative Generation to support emerging artists. Her work continues to foster connections between artists, institutions, and audiences, contributing to Cambodia’s evolving cultural landscape.

 

www.creativegeneration.art

Marina Pok
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Marina Pok

cultural catalyst

After serving at the Foreign Minisitry of Cambdodia as the Under Secretary of State, I choose cultural diplomacy to enhance the visibility of Cambodian Contemporary Artists. I opened a Gallery in Siemreap, great experience with local artists. Due to the pandemia, I relocates in Phnom Penh. Where I curate exhibitions for Rosewood, Solfitel and launch NomadiX , art tours along the Mekong river. In Spet 2025, I was invited to co curate at the Broad Museum ” Mekong Voices”. In Nov 2026, I am launching the 1st edition of Phnom Penh Contemporary.

 

www.phnompenhartrdays.com / www.anicca-thaddeus.com

China/
Chunchen Wang
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Chunchen Wang

Director of Contemporary Art Research Center of CAFAM,Beijing

Professor Wang Chunchen is a famous curator and critic, he was ex-Deputy Director of CAFA Art Museum at the Central Academy of Fine Arts in Beijing, China, and now director of The Research Center for Contemporary Art of CAFAM; also director of Shanxi Contemporary Art Museum. Visiting Professor of University of New South Wales.
In 2012 he was an adjunct curator at the Broad Museum of Art, Michigan State University, USA. In 2013, he was appointed as the Curator of the Chinese Pavilion at the 55th edition of the Venice Biennale. Wang is Editor-in-Chief of The Chinese Contemporary Art Series published by Springer Publishing House, Germany.

 

https://en.m.wikipedia.org/wiki/Wang_Chunchen

Jiaxing CHAO
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Jiaxing CHAO

Independent Curator

(B.1984, Shanghai) base in Berlin. On rituals as methods, her practice engages with historical heritage, and the role of religious sites within institutional contexts, emploies anthropological methods to intervene across both academic fields and everyday life. She was Gwangju ACC researcher 2019Fellow, Tokas Research 2020fellow, mentor of the Julius Baer Next Generation Art Prize2023. Awarded Travel Grant of CIMAM2019, ProHelvetia. Her most representative exhibitions were held at Ulsan Art Museum, South Korea, kurimanzutto Mexico, Sun Blanket Foundation, Seoul and Galerie im Körnerpark, Berlin. She edited the publication ‘Under Construction: A History of Shanghai Art Institutions, 2008-2016

Zikang Zhang
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Zikang Zhang

Director of the Shenzhen International Museum of Art, Professor at the Central Academy of Fine Arts
Hong Kong/
Chiu For Yu
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Chiu For Yu

Hong Kong composer, cultural administrator, and arts leader.

Yu Chiu-for (余昭科) is a Hong Kong composer, cultural administrator, and arts leader.

Roles & AffiliationsSecretary-General: Association for Cultural and Art Exchange between Chinese Folk and Popular Arts (Hong Kong)Council Member: Chinese Culture Promotion Centre (Hong Kong)Review Expert: National Arts Fund (China)Intangible Cultural Heritage (ICH) Promoter: UNESCO Hong Kong Association Peace CentreMember: Hong Kong Composers’ Guild and affiliated with the Hong Kong Chinese Orchestra

Chloe Chow
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Chloe Chow

Head of Exhibition and Programmes, WMA

Chloe Chow is a Hong Kong–based curator, cultural leader, artist coach, and Clore Leadership Fellow 2025/26. As Head of Exhibitions and Programmes at WMA, and previously Associate Curator at M+, she develops exhibitions, publications, and public programmes at the intersection of contemporary art, social inquiry, and public engagement. Her work explores photography, place, ecology, memory, and community, creating exchange between artists, institutions, NGOs, and diverse publics. Recent projects include The Bones of Our Land (HK/UK, 2025) and Realms of Memory (UK, 2024).

Espen Johannes Aarseth
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Espen Johannes Aarseth

Dean, Chair Professor, School of Creative Media, City University of Hong Kong

Espen Aarseth (Dr Art, MAE) is chair professor of game studies and dean of the School of Creative Media at the City University of Hong Kong, and a member of the Royal Danish Academy of Sciences and Letters and of the Academia Europaea. Earlier he was professor and head of the Center for Computer Games Research at the IT University of Copenhagen, and before that he served as professor at the University of Bergen, where he co-founded the department of Digital Culture. He is the co-founder of five conference series and founding editor-in-chief of the journal Game Studies (2001 – ), and recently directed the European Research Council’s Advanced Grant project MSG – Making Sense of Games (2016-22)

 

https://www.scm.cityu.edu.hk/people/aarseth-espen

 

Tobias Klein
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Tobias Klein

Professor

Tobias Klein (簡鳴謙) is a trained Architect and Artist. His work articulates a syncretism of contemporary CAD/CAM technologies with site and culturally specific design narratives, intuitive non-linear design processes, and historical cultural references. Hi works have been internationally exhibited at venues such as the London Science Museum, the V&A, the Venice Architectural Biennale, Ars Electronica, the Science Gallery (Melbourne), the container (Tokyo), the Bellevue Arts Museum, the MoCA Taipei, the Museum of Moscow, the Museum of Vancouver and at Art Basel Hong Kong.

 

kleintobias.com

Vera Lam
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Vera Lam

Director, HART HAUS

Vera Lam is the Director of HART Haus, a not-for-profit institution, a vibrant home for artists and creatives, providing them with a much-needed platform to explore, experiment, and develop their practices. Her role focuses on providing platforms for emerging artists to thrive and facilitating connections between artists, audiences, and the broader community through interdisciplinary exchanges, international artist residencies, curated exhibitions, and public programmes. 

Lam’s curated exhibitions include ongoing projects at HART Haus, and highlight exhibitions “Collected Light: From Legacy to Future” (2024) and “Postmodern Tales” (2023) at H Queen’s. Her background is enriched by her positions at M+ working on acquisition and exhibitions: “Antony Gormley: Asian Field”, “Individuals, Networks, Expressions”, “Five Artists: Sites Encountered”, “In Search of Southeast Asia through the M+ Collections”; and Blindspot Gallery with a focus on international and Chinese contemporary art within Hong Kong’s visual culture.

 

www.thehart.com.hk

India/
Kriti Sood

Kriti Sood

Kurchi Dasgupta
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Kurchi Dasgupta

Independent artist and art critic

Kurchi Dasgupta is an Indian artist/art writer/curator based in Kolkata and Kathmandu. She has a masters in Comparative Literature, was once the CEO of The Ray Society, translates extensively into English.Her artworks have been showcased in international biennales and art airs and her writings in major art publications worldwide. She has spoken as a panelist on South Asian art at prestigious conferences and is a member of AICA (International Association of Art Critics).

Lina Vincent
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Lina Vincent

Curator, Founder-Director LVAC

Lina Vincent is an independent art historian and curator with over two decades experience in arts management. Under her consultancy LVAC, the focus areas include arts education, printmaking history and practice, the documentation of living traditions, and environmental consciousness in the arts. Since 2021 she heads the ‘Sunaparanta Art Initiator Lab’, (S.A.I.L) mentorship program, Goa and has co-curated ‘Goa Familia’, archival photography project since 2019. She works sustainedly in the museum development sector and regularly curates exhibitions with galleries across India. She contributes to publications on art history and contemporary cultural practices, and publishes a monthly artsblog.

 

https://lvac.in/

Meera Menezes
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Meera Menezes

Director, Anant Foundation for the Arts

Meera Menezes is an art writer and curator. She currently heads the Anant Foundation for the Arts and helms the Anant Curatorial Forum, an international platform for curatorial practice. She has written extensively on modern and contemporary Indian art over the past three decades and is the author of “V.S. Gaitonde: Sonata of Solitude.” She is a regular contributor to the international arts publication Artforum and Art Asia Pacific. Menezes has done her Masters in German Studies from Jawaharlal Nehru University, Delhi, and has worked as a TV journalist and producer at the South Asia Bureau of ARD, Germany’s largest public service broadcaster, for over a decade.

 

https://anantfoundation.art/

Japan/
Seiha Kurosawa
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Seiha Kurosawa

Independent Curator

KUROSAWA Seiha is a curator based in Tokyo. He previously worked at the Yayoi Kusama Museum, the 21st Century Museum of Contemporary Art, Kanazawa, and the PAN Okinawa Preparatory Office. His major exhibitions include “Threading Inwards” (co-curator, 2026, CHAT, Hong Kong); “It knows: When Forms Become Mind” (2023) and “The Timeless Imagination of Yves Klein” (2022), 21st Century Museum of Contemporary Art, Kanazawa; “ZERO IS INFINITY, ZERO and Yayoi Kusama” (2020, Yayoi Kusama Museum); Thailand Biennale, Korat 2021 (co-curator); 7th Moscow Biennale of Contemporary Art (assistant curator, 2017).

 

https://www.seihakurosawa.com/

Kazakhstan/
Alexandra Tsay
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Alexandra Tsay

Independent curator

Alexandra Tsay is an independent curator and a PhD candidate in the Interuniversity Doctoral Program in Art History at Concordia University, whose work focuses on contemporary art in Central Asia within transnational and global paradigms. She is a co-editor of Stalinism in Kazakhstan: History, Memory, and Representation, published in Russian, Kazakh, and English, and a contributor to The Nazarbayev Generation: Youth in Kazakhstan. Her research has been supported by the Fonds de recherche du Québec and Global Affairs Canada.

Mongolia/
Uranchimeg Tsultem
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Uranchimeg Tsultem

Edgar&Dorothy Fehnel Chair in International Studies, Associate Professor

Uranchimeg (Orna) Tsultem is Edgar&Dorothy Fehnel Chair in International Studies and Associate Professor of Art History at Indiana University’s Herron School of Art and Design. Her research comprises artistic traditions in Himalayan regions and Mongolia. Her award-winning publications include books published by academic publishers in the U.S. and in Mongolia. An active curator of Mongolian art since 1997, Orna curated the first Mongolia Pavilion at the Shanghai Biennale in 2012, Venice Biennale in 2015, and Hanart TZ Gallery in Hong Kong in 2011, among others. Her current project is the Mongolia Pavilion at the 61st Venice Biennale in 2026.

 

https://www.artmongolia.org/

Nepal/
Sujan Chitrakar
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Sujan Chitrakar

Associate Professor, Kathmandu University

Sujan Chitrakar is artist, art educator and independent curator based in Kathmandu. He is currently Associate Professor at Kathmandu University, Department of Art and Design.

 

www.kalatirtha.com

Pakistan/
Adeel uz Zafar
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Adeel uz Zafar

Assistant Professor at Indus Valley School of Art & Architecture, Karachi, Pakistan

Adeel uz Zafar is an artist, illustrator and art educato holds a Bachelor of Fine Arts from National College of Arts, Lahore (1998). Zafar’s works have been featured in several national and international exhibitions including 11 solo shows and numerous group shows. He has participated in both national and international residencies. He is represented by FOST Gallery, Singapore & AAN Gandhara-art Space, Karachi-Hong Kong. Zafar currently serves as a Faculty member of the Indus Valley School of Art and Architecture, Karachi. Zafar is also acting as a nominator from Pakistan for the Sovereign Art Prize. Two of his nominees Ahmed Javed & Sameen Agha were awarded SAAP in 2019 & 2024.

 

www.adeeluzzafar.com

 

 

Amra Ali
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Amra Ali

Independent art critic and curator

Amra has been contributing reviews and essays to local and international art publications since 1991, and currently writes for Daily Dawn. Her extensive writing is based on research and commentary in order to locate/contextualize contemporary art in Pakistan. Her curatorial work reflects her research and interaction with artists through three decades, exploring curatorial strategies that respond to the context of culture, space, form amid revised conversations on appropriation. She is a co Founder of NuktaArt, a first bi-annual art publication from Pakistan from 2004-2014. She has edited the publication, ‘Home Coming, Rasheed Araeen’, part of Araeen’s first retrospective in Pakistan in 2014.

 

Instagram: amraali1

Philippines/
Bea Belen-Ferrer
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Bea Belen-Ferrer

Independent Artist-Researcher

Bea Belen-Ferrer is a Philippine-based artist-researcher whose practice approaches visuals and text in as parallel tools for archiving and noting art history. She approaches domestic life as historical material within Philippine art history, tracing how it sits within the broader Southeast Asian art historical landscape and reading artworks as evidence of the social conditions that produced them. She holds the 2025 Ateneo Art Award–Purita Kalaw Ledesma Prize for Art Criticism (ArtAsiaPacific), completed residencies at Indeks Project Space (Bandung) and Orange Project Naranja (Bacolod), and was selected for In-tangible Institute’s Cultivate Module 3: Leadership cohort.

 

www.instagram.com/beabelenferrer

Regional/
Abhijan X.
Abhijan X. image

Abhijan X.

Independent Curator

Abhijan X. (they/them) is a curator, writer and artist, based in London, UK. Their work focuses on anarchist poetics, ecological justice and cosmopolitics. They have been the recipient of the Lorenzo Bonaldi Curatorial Prize (Italy) and co-recipient of the Bikuben Foundation’s Vision Exhibition Award (Denmark). They have initiated and directed platforms and festivals including the Forest Curriculum (2018 – 25), Hosting Lands (Denmark, 2022-25), A Few In Many Places (2019 – 21) and A House In Many Parts (Thailand, 2020-21), and worked on the curatorial teams of the Dhaka Art Summit, Shedhalle, and Auto Italia, among others.

 

https://www.abhijanx.com/

Lisa Botos
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Lisa Botos

Curator and Art Advisor

Lisa Botos has built a global career delivering art and culture for diverse entities, from foundations to artists to nations, including Swire, WYNG Foundation, and the Kingdom of Bhutan. In Hong Kong, she co-founded OOI BOTOS gallery and Art Unchained. In 2013, she served as guest curator for the Vladivostok Biennale of Visual Arts. As a senior editor at TIME, Lisa led an award-winning photo department. A founding partner of the advisory Private Partners & Co., Lisa counsels families on cultural legacy. She holds an MA with honors in international communication, focusing on visual culture, from American University, and is a fellow of Hong Kong University’s ACLP and BeFantastic ArtTech. Read more here.

Sarah Pringle
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Sarah Pringle

Co-Founder Managing Partner

Sarah majored in Fine Art & Design in the UK and the US, attending the Falmouth School of Art, Bath Academy of Art, and the Chelsea School of Art in the UK, and the Cooper Union School of Art & Design in New York. Sarah started her career working for contemporary art galleries in London, Dubai and Hong Kong. In the UK she worked for National Galleries of Scotland and the Centre for Contemporary Art promoting best practice in gallery education, and establishing crucial networks between government, gallery directors, and educators. She worked for the British Council Manila and Hong Kong, promoting British expertise in the arts, before establishing Art Partners with Levina Li.

 

www.art-partners.co

Tanya Michele Amador and Sofia Coombe
Tanya Michele Amador and Sofia Coombe image

Tanya Michele Amador and Sofia Coombe

Independent Curators

Tanya Michele Amador and Sofia Coombe are London-based Independent Curators. Together they founded Peruke Projects with the principal goal of researching, promoting, and documenting contemporary art from Southeast Asia. Peruke’s main focus is the running and growth of Art World Database, an online compendium for all information pertaining to contemporary art from the Southeast Asian region.

 

www.artworlddatabase.com

Singapore/
Louis Ho
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Louis Ho

Independent curator

Louis Ho is a Singapore-based curator, critic and art historian. His research is concerned with the contemporary visual cultures of Southeast Asia, with a particular focus on the specific socio-cultural contexts in which various visual vocabularies have emerged in this part of the world. He also maintains a keen interest in the contemporary art of Myanmar. He was formerly a curator at the Singapore Art Museum, and co-curator of the Singapore Biennale in 2016. He regularly contributes exhibition reviews to various publications. He currently offers courses on art history and curating at Nanyang Technological University (NTU).

Rafi Abdullah
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Rafi Abdullah

Curator

Rafi Abdullah is an independent curator and writer based out of Singapore with close to a decade of experience working in varying capacities across cultural institutions and museums (ArtScience Museum, Indian Heritage Centre, Institute of Contemporary Arts Singapore, The Private Museum) and art galleries (Wetterling Teo Gallery, Hatch Art Project) in Singapore. He has also written for several artist catalogues and books, as well as for/in journals, platforms, and institutions such as the Singapore Art Museum, Yeo Workshop, Sullivan+Strumpf, National Gallery Singapore, New Art Examiner, Coeval Magazine and So Far.

 

www.rafiabdullah.com

Yvonne Wang
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Yvonne Wang

Art Writer and Editor

Yvonne is an art writer and the Singapore desk editor for ArtAsiaPacific. She regularly contributes to leading international art publications and collaborates with art platforms to develop curated content. Her writing has appeared in Frieze, Art SG, Asia Art Archive, The Art Newspaper, Art & Market, among others.

As a collector and advocate for the visual arts, Yvonne supports a range of contemporary art institutions and initiatives across the Asia-Pacific. Her involvement focuses on advancing cross-cultural dialogue, regional collaboration, and critical discourse—particularly through efforts aligned with her research interests.

She holds an MA in Asian Art Histories from Goldsmiths, University of London, and an MSc in Politics and Communication from the London School of Economics.

 

www.yvonnewang.co

South Korea/
Eunha Chang
Eunha Chang image

Eunha Chang

Curator, Writer and Art Historian

Eunha Chang (she/her) is a curator, writer, and art historian from Seoul, South Korea, currently based in New York. She holds an MA with distinction in Contemporary Art Theory from Goldsmiths, University of London, and is currently pursuing a PhD in Art History at Binghamton University as a Fulbright Scholar. Her research investigates the interstices between human and non-human, analogue and digital, embodied and mediated. She has worked with institutions including the Seoul Museum of Art, the National Museum of Modern and Contemporary Art, Korea, de Appel, and the Istanbul Biennial.

 

www.eunhachang.com

Gun Soo Choi
Gun Soo Choi image

Gun Soo Choi

Photographer, Image Critic and Professor

For 40 years, Gun Soo Choi has been an image critic, photographer, and university professor. he has published 12 photographic books and held 10 individual exhibitions.

JeongMee Yoon
JeongMee Yoon image

JeongMee Yoon

Professor, Artist

Born in Seoul (1969), she studied painting at Seoul National University, photography design at Hongik University, and the School of Visual Arts in New York. Winner of the Daum Prize (2006), she was awarded first prize at the Sovereign Asian Art Prize (2011), the Ilwoo Photography Award (2018), and the DongGang International Photography Award (2023). Her publications include The Pink and Blue Project (2007), Animal Companions (2015), The Pink & Blue Project (Hatje Cantz, 2018), and Framed in Colors (2024). Yoon has held solo exhibitions at Kumho Museum of Art, Gallery Inn, and Jenkins Johnson Gallery, and her works are in prominent museum collections worldwide.

 

https://photyoo.myportfolio.com

Yoon Sub Kim

Yoon Sub Kim

Chairman, AiF Children Foundation
Taiwan/
Nobuo Takamori
Nobuo Takamori image

Nobuo Takamori

Independent Curator

Takamori Nobuo is a Taiwanese independent curator with Japanese descent, he is currently based at Taipei and Duesseldorf. Takamori works as chief-curator of 2021 Asian Arts Biennial, Phantasmapolis, and chief-curator of 2025 Green Island Biennial. For more than a decade, Takamori’s curatorial work and research project aims to evoke the hidden linkage between Taiwan and the Global South, with practical exchange project for encourage the interaction of contemporary art from both sides.

Yen Hsiang Fang
Yen Hsiang Fang image

Yen Hsiang Fang

Independent curator & writer

Fang Yen Hsiang is a Taipei-based cultural practitioner working across curating, writing, and research. His practice explores the intersections of contemporary art, social practice, and ecological politics. He approaches curatorial practice as a way of creating possibilities and exploring the unknown. Fang’s recent interests focus on the interconnected relations among environment, technology, geopolitics, and life systems, and how these relations shape new imaginaries of inhabitation.

Yung-Lin Wang
Yung-Lin Wang image

Yung-Lin Wang

Curator and art critic

Yung-Lin Wang is an art critic, curator, and film scholar who lives and works in Taipei, Taiwan, and Toronto, Canada. Her current research focuses on Taiwanese gallery-based films that examine the island nation’s contingent identity in the post-Cold War era and its post-colonial condition. She investigates the filmic, aesthetic, and architectural turn of cinema’s migration into the museum space, using the symbolic otherness of cinema to explore the inextricable stress on Taiwan’s shifting identity and nationhood after its democratization and the reflection on its traumatized past.

 

https://www.cinema.utoronto.ca/people/directories/graduate-students/yung-lin-wang

Thailand/
Brian Curtin
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Brian Curtin

Art Writer and Educator

Brian Curtin is an Irish-born art writer, editor, and educator based in Bangkok. He also works as a curator of contemporary art. His commentary, essays, interviews and reviews have been published in Art Journal, Artforum, Art Asia Pacific, Circa, Craft Research, Flash Art, Frieze, Journal of Curatorial Studies and Parachute, among others. Brian’s monograph Essential Desires: Contemporary Art in Thailand ‍ ‍was published by Reaktion Books in 2021.

 

www.brianacurtin.com

Sakda Chantanavanich
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Sakda Chantanavanich

Art Collector and Patron

Sakda Chantanavanich is a Bangkok-based collector deeply engaged with Thailand’s contemporary art scene. For nearly a decade, he has been a key supporter of artists, collectives, curators, and art spaces, including Speedy Grandma and Waiting You Curator Lab, through funding for productions, activities, and exhibitions. Committed to fostering artistic freedom, Sakda prioritizes collecting works in less conventional media that address environmental issues and social concerns, particularly by young and pre-emerging artists from Thailand and Southeast Asia. His collection includes works by Ruangsak Anuwatwimon, Aracha Cholitgul, Chris Chong Chan Fui, Ho Rui An, and Chulayarnnon Siriphol.

Uzbekistan/
Anastasya Skvortsova
Anastasya Skvortsova image

Anastasya Skvortsova

Curator

Anastasia Skvortsova is a curator, researcher and educator with a particular interest in Central Asia and the wider post-Soviet region. Over fifteen years, she has worked across curatorial, production and educational roles with the State Hermitage Museum, the Manifesta biennial, the Moscow Biennale and the Bukhara Biennial. Her research-based work explores mediation, memory, ritual, ecology and contemplative approaches to art. Her involvement in projects in Central Asia includes the Bukhara Biennial and Art Prospect in Bishkek. She is a co-founder of the Eastern Balkans Institute for Art and Architecture.

Vietnam/
Anh Tuấn Nguyễn
Anh Tuấn Nguyễn image

Anh Tuấn Nguyễn

Artistic director of Heritage Art Space

Nguyễn Anh Tuấn is a curator and art manager based in Hanoi, Vietnam. He graduated from the Hanoi Fine Arts University (now is Vietnam Fine Art University), in major of Theory & History of Arts. Tuấn has worked as art researcher at the Hanoi Institute of Art from 2002 – 2015, program manager of Muong AIR, the artist-in-residency program of Muong Studio from 2012 – 2016, and has taken on the responsibility as program manager appointed by the Indochina Arts Partnership (2016 – 2019). Since March 2016, he was appointed to be the artistic director of Heritage Art Space (formerly known as Heritage Space) – an independent art organization in Hanoi, Vietnam.

 

https://heritageartspace.org.vn/

FAQ

01
What are the benefits to participating artists?

There are numerous benefits to participating artists, including:

  • Two cash prizes available: US$30,000 Grand Prize and USD1,000 Public Vote Prize.
  • Inclusion in public exhibition in high-profile venue in Hong Kong.
  • Increased profile through multi-channel marketing campaign.
  • Artwork included in charity sale and promoted to art buyers, with artist receiving 50% of sale proceeds.
  • Opportunity to network with fellow artists across the region.
  • Opportunity to contribute to a meaningful project that raises funds for an important charitable cause.
02
As an artist, how can I enter the Prize?

Entry to the Prize is by nomination only. If you wish to enter, we recommend you connect with one of our regional nominators and ask them to consider nominating you.

03
As a gallery, can I nominate artists and how it works?

We also welcome galleries to put forward artists whom they represent, and feel would be strong candidates for nomination for consideration by our Nominating Committee. Only artists that are approved by our Nominating Committee can enter the Prize. If you are interested in and would like to learn more, please contact us.

04
Are their any specific artwork requirements?

In order to be eligible for the Prize, we require that artworks adhere to the following:

  • 2D artworks cannot exceed 150cm x 150cm.
  • 3D artworks cannot exceed 150cm x 50cm x 50cm.
  • We do not accept purely audio, video or other time-based media art or performance art. Multi-media works which contain a video or media component will be considered on a case-by-case basis.
05
How can I become a nominator?

We are always looking to expand our network of nominators. Nominators should have a certain expertise in art from Asia-Pacific, and have no commercial affiliation with their nominees. To apply to be a nominator, please get in touch.

06
Is it free for artists to participate?

It is free for artists to enter the Prize online. Once shortlisted, artists are responsible for any production costs associated with their shortlisted artwork. Artists are also responsible for their own shipping costs to Hong Kong. For details, please read section 6.2 of our T&Cs.

07
Where do artwork sales proceeds go?

Proceeds from artwork sales are spilt equally between the artist and The Sovereign Art Foundation. We use our portion to help fund our expressive arts programmes for children from low-income backgrounds and with special educational needs. Learn more about our mission here.

Testimonials

Citra Sasmita  |  The 2026 Grand Prize Winner image
Nomin Zezegmaa  |  The 2026 Vogue Hong Kong Women’s Prize Winner image
Arpita Akhanda | The 2025 Grand Prize Winner image
Yujung Kim | The 2025 Vogue Hong Kong Women's Art Prize Winner image
Mojahid Musa | The 2025 Public Vote Prize Winner image
Sameen Agha | The 2024 Grand Prize Winner image
Michelle Fung | The 2024 Vogue Hong Kong Women's Art Prize Winner image
Demet | The 2024 Public Vote Prize Winner image
Alisa Chunchue | 2023 Vogue Hong Kong Women's Art Prize Winner image
Parul Gupta | 2023 Grand Prize Winner image
Cop Shiva | 2023 Public Vote Prize Winner image
01

Citra Sasmita | The 2026 Grand Prize Winner

“After submitting work to The Sovereign Asian Art Prize several times, I am genuinely surprised and deeply honoured to be chosen as this year’s winner. I feel immense gratitude to the nominators who recommend me each year, offering their full trust and support for my artistic voice. My previous submissions taught me how to mature my process and clarify my ideas. With this artwork, I wanted to create a global dialogue about searching for spirituality, the truth, and returning to our roots which is the vital foundation for artists. This is the way art becomes a universal language that touches hearts. This victory is shared with all my nominators, and with every female artist fighting for her voice, for humanity, and for the perennial spirit of art.”

02

Nomin Zezegmaa | The 2026 Vogue Hong Kong Women’s Prize Winner

“It is a great honour to be the winner of the Vogue Hong Kong Women’s Prize of the Sovereign Asian Art Prize 2026. 

I truly hope that it serves as a great, yet humble inspiration for young women, young Mongols and artists across the world to stay to true to their voice, and set out on their own path to create—their own legacy and freedom. 

It moves me deeply that my piece “A Million Petals Of Rebirth” resonated profoundly with the audience. It is a piece created in deep contemplation: a journey of transformation, transmutation and deep unraveling—a symbol of an oath I made to myself as an artist. Winning the prize, symbolizes and shows the recognition and resonance of that, for that I am immensely grateful—this too gives me the courage and fire to go on.”

03

Arpita Akhanda | The 2025 Grand Prize Winner

“I am deeply honoured to receive The 2025 Sovereign Asian Art Prize. This recognition reaffirms my belief in art’s power to spark dialogue, particularly around intergenerational trauma, migration, and belonging. I am especially grateful for this award’s role in amplifying the voices of artists whose work challenges, questions, and reimagines histories and identities. It also strengthens my commitment to weaving stories that resist and reclaim forgotten histories. I hope this recognition will help connect my practice with new audiences across Asia and beyond, fostering meaningful conversations that transcend borders.

My heartfelt gratitude goes to the jury, the Sovereign Art Foundation, Sadya Mizan for the nomination, my gallery Emami Art, and everyone who has supported my journey.”

04

Yujung Kim | The 2025 Vogue Hong Kong Women’s Art Prize Winner

“I am truly honored to receive such a meaningful award. I would like to thank the Sovereign Art Foundation and Vogue, and I sincerely express my gratitude to everyone who has supported my work. This award is a great encouragement to me and gives me the strength to move forward. I will strive to communicate with the world through art and share more stories. Thank you“

 

05

Mojahid Musa | The 2025 Public Vote Prize Winner

“I am very grateful to receive the Public Vote Prize for The 2025 Sovereign Asian Art Prize. I am thankful to all of you who have supported my practice to achieve this award. It is a significant recognition of my work within the Asian art scene, and it will definitely encourage my artistic practice and career“.

06

Sameen Agha | The 2024 Grand Prize Winner

“It is an incredible honour to be awarded The 2024 Sovereign Asian Art Grand Prize. I am thrilled and deeply grateful for this recognition. This award is a significant milestone for my career, and I am profoundly appreciative and thankful for the acknowledgment and support. I extend my heartfelt thanks to Adeel Uz Zafar for nominating me and believing in my practice. It is a huge privilege to showcase my work on the prestigious platform provided by The Sovereign Art Foundation“

07

Michelle Fung | The 2024 Vogue Hong Kong Women’s Art Prize Winner

“I am absolutely thrilled to have been awarded the Vogue Hong Kong Women’s Art Prize Winner. I would like to extend the gratitude to Kurt Chan my nominator, the Sovereign Art Foundation team and esteemed judges for understanding me. Finally, of course to Vogue who supports this prize. It’s not easy to be an artist, and it’s even more difficult to do it in a woman’s body. Thank you for recognising that”

08

Demet | The 2024 Public Vote Prize Winner

“I am incredibly grateful, heartfully thankful for selecting me as a finalist and to be the recipient of the Public Vote Prize. I am forever thankful for this not only for the recognition, but also the opportunity to share my work and take part in the Sovereign Foundation’s noble cause.  To the SAF team, please continue to carry on the foundation’s objectives and goals. To the dedicated team, I really appreciate all your hard work”
09

Alisa Chunchue | 2023 Vogue Hong Kong Women’s Art Prize Winner

“Staying true to oneself and fearlessly facing physical and mental challenges have been fundamental to my practice. This award marks a memorable moment in my career. I wholeheartedly dedicate this Vogue Hong Kong Women’s Art Prize to all incredible women who exhibit unwavering dedication to artistic pursuits and achieve in every role we undertake.”

010

Parul Gupta | 2023 Grand Prize Winner

“It is a moment of great pride and honour for me to receive this award, which in the past has nominated and awarded artists who have distinct and inspiring practices… I would like to add here that I do not come from an art background, and I started practising art much later in life. I took many detours before I realised that it’s only through art that I can live a life I desire for myself – a life that is truly independent.”

011

Cop Shiva | 2023 Public Vote Prize Winner

“I’m thrilled to be this year’s Sovereign Asian Art Prize Public Vote Prize Winner. I am very proud to be part of this great platform for the region’s art and artists, and grateful for the opportunity to engage with the Asian art community in Hong Kong – the heart of the continent.”

Sponsors and Supporters

SAAP Logo
Organiser
Sovereign Group Logo
Grand Prize Sponsor
Portugal-5
Women’s Art Prize Sponsor

Prize Winners and Previous Finalists

2026

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Citra Sasmita
Citra Sasmita art
Public Vote Prize Winner
Joey Cobcobo
Joey Cobcobo art
Vogue Hong Kong Women’s Art Prize Winner
Nomin Zezegmaa
Nomin Zezegmaa art

2025

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Arpita Akhanda
India
Arpita Akhanda art
Public Vote Prize Winner
Mojahid Musa
Bangladesh
Mojahid Musa art
Vogue Hong Kong Women’s Art Prize Winner
Yujung Kim
South Korea
Yujung Kim art

2024

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Sameen Agha
Pakistan
Sameen Agha art
Public Vote Prize Winner
Demet
Philippines
Demet art
Vogue Hong Kong Women’s Art Prize Winner
Michelle Fung
Hong Kong
Michelle Fung art

2023

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Parul Gupta
India
Parul Gupta art
Public Vote Prize Winner
Cop Shiva
India
Cop Shiva art
Vogue Hong Kong Women’s Art Prize Winner
Alisa Chunchue
Thailand
Alisa Chunchue art

2022

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Azin Zolfaghari
Iran
Azin Zolfaghari art
Public Vote Prize Winner
Faezeh Baharloo
Iran
Faezeh Baharloo art
Vogue Hong Kong Women’s Art Prize Winner
Marium Agha
Pakistan
Marium Agha art

2021

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Li Binyuan
China
Li Binyuan art
Public Vote Prize Winner
Imtiaj Rasel
Bangladesh
Imtiaj Rasel art
Vogue Hong Kong Women’s Art Prize Winner
Rithika Merchant
India
Rithika Merchant art

2020

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Alex Seton
Australia
Alex Seton art
Public Vote Prize Winner
Made Wiguna Valasara
Indonesia
Made Wiguna Valasara art
Vogue Hong Kong Women’s Prize Winner
Saba Qizilbash
Pakistan
Saba Qizilbash art

2019

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Ahmed Javed
Pakistan
Ahmed Javed art
Public Vote Prize Winner
Munawar Ali Syed
Pakistan
Munawar Ali Syed art
Vogue Hong Kong Women’s Prize Winner
Fuxiaotong
China
Fuxiaotong art

2018

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Halima Cassell
Pakistan
Halima Cassell art
Public Vote Prize Winner
Onaiz Taji
Pakistan
Onaiz Taji art

2017

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Hongbo Li
China
Hongbo Li art
Public Vote Prize Winner
Yogie Achmad Ginanjar
Indonesia
Yogie Achmad Ginanjar art

2016

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Baptist Coelho
India
Baptist Coelho art
Public Vote Prize Winner
Alfredo and Isabel Aquilizan
Philippines
Alfredo and Isabel Aquilizan art

2014

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Anida Yoeu Ali
Cambodia
Anida Yoeu Ali art
Schoeni Prize Winner
Alia Bilgrami
Pakistan
Alia Bilgrami art

2013

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Wong Adrian
Hong Kong
 Wong Adrian art
Schoeni Prize Winner
Chong-Il Woo
Korea
Chong-Il Woo art

2012

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Gutierrez + Portefaix
Korea
Gutierrez + Portefaix art
Schoeni Prize Winner
Mark Salvatus
Philippines
Mark Salvatus art

2011

Prize Winners and Previous Finalists arrow
Grand Prize Winner
JeongMee Yoon
Hong Kong
JeongMee Yoon art
Schoeni Prize Winner
Chong-il Woo
Korea
Chong-il Woo art

2010

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Somapala Pothupitiye
Sri Lanka
Somapala Pothupitiye art
Schoeni Prize Winner
Anthony Del Castillo
Philippines
Anthony Del Castillo art

2009

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Debbie Han
Korea
Debbie Han art
Schoeni Prize Winner
Miguel Payano
China
Miguel Payano art

2008

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Chow Chun Fai
Hong Kong
Chow Chun Fai art
Schoeni Prize Winner
Mor Mor
Myanmar
Mor Mor art

2007

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Kumi Machida
Japan
Kumi Machida art
Schoeni Prize Winner
Haris Purnomo
Indonesia
Haris Purnomo art

2006

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Uttaporn Nimmalaikaew
Thailand
Uttaporn Nimmalaikaew art
Schoeni Prize Winner
Lam Tung Pang
Hong Kong
Lam Tung Pang art

2005

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Tsang Kin Wah
Hong Kong
Tsang Kin Wah art
Schoeni Prize Winner
Yip Siu Ka
Hong Kong
Yip Siu Ka art

2004

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Jeffrey du Vallier d’Aragon Aranita
Hong Kong
Jeffrey du Vallier d’Aragon Aranita art
Schoeni Prize Winner
Simon Birch
Hong Kong
Simon Birch art