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Pamplemousses Garden
Pamplemousses Garden

Mauritius Students Prize

Click on the entries below to vote and bid. The artist with the most votes will win the Public Vote Prize (Rs15,000 for the student, Rs25,000 for the school). Proceeds from the auction will be split 50:50 between the artist and SAF.

Shortlist

Aarush Anand Bahadoor
Sorrowed Journey of the Indentured image
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Sorrowed Journey of the Indentured
Abiigael Ferry
AFRICAN BLOOM image
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AFRICAN BLOOM
Amelliane Eleonore
Nourished Through Tears image
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Nourished Through Tears
Anjalee Ramsamy
Movement of Art image
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Movement of Art
Camall Saib Mohammad Za’eem Ibn Izam
Fractured Reflection image
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Fractured Reflection
David Marie
MO TI ZIL  image
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MO TI ZIL
Davissen Moonsamy
Mauritian Landscape image
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Mauritian Landscape
Eliam Sudally
A party of 2 worlds image
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A party of 2 worlds
Galiana Appadu
Fashionista: Standing Out Through Fashion image
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Fashionista: Standing Out Through Fashion
Georgia King
Four Myself By Georgia King  image
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Four Myself By Georgia King
Goordeepsingh Rajmun
Whispers Through the Birch  image
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Whispers Through the Birch
Julia Law Pak Hun
Comfort in prayer image
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Comfort in prayer
Lacire Jean Corneil Asael
Coastal Serenity image
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Coastal Serenity
Maeva Grand-Port
Cultural Identity image
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Cultural Identity
Maheera Dowlut
My Cat My World  image
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My Cat My World
Marie Fabiola Mathieu
The Beauty of Nature image
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The Beauty of Nature
Nandini Reet Meetoo
The Central Market of Port Louis  image
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The Central Market of Port Louis
Piya Narandas
New Roots image
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New Roots
Raman Rampertab
Nature's blessing image
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Nature’s blessing
Ramy Najaina Sauzier
Whispers of the Raven  image
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Whispers of the Raven
Ronith Domee
Crimson Crown image
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Crimson Crown
Sahil Jethoo
Chameleon Encounter: The Art of the Hunt image
VOTE NOW
Chameleon Encounter: The Art of the Hunt
Seelochun Jaina Bhuvi
Le Morne Brabant  image
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Le Morne Brabant
Sera Bibi Zuhayrah BOODHUN
A Glow Within image
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A Glow Within
Shenane Selena Ng-Wing-Yik
Whispers of Flames  image
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Whispers of Flames
Suhani Beharee
Speed Thrills, But It Kills image
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Speed Thrills, But It Kills
Tiara Appadoo
Molly, Man's Best Friend image
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Molly, Man’s Best Friend
Vedanshi Seetul
Human Nature image
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Human Nature
Yadvee Bhagwansing
Grey Matter Gone  image
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Grey Matter Gone
Yaryna Rhea Boodhun
Breath Between Beats image
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Breath Between Beats
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01 / 30

Aarush Anand Bahadoor

Sorrowed Journey of the Indentured image

Aarush Anand Bahadoor

Sorrowed Journey of the Indentured
School: Droopnath Ramphul State College
Dimension: 80 x 100cm
Medium: Acrylic and mixed media on canvas
Age: 14 years old

My painting is a tribute to my great-grandfather who left his homeland (India) for the unknown shores of Mauritius in the 19th century. Like all the other indentured labourers, he toiled tirelessly and shed blood nurturing a bright life for his future generation. This is what I portrayed through blood dripping. His face is mainly painted in blue, a reference to the cold life he has lived. The bare tree blinding his eye represents the truth he was being hidden from and the harsh reality he had to face for survival. Today as I paint his story, I am filled with gratitude for his courage.

02 / 30

Abiigael Ferry

AFRICAN BLOOM image

Abiigael Ferry

AFRICAN BLOOM
School: BPS Fatima College
Dimension: 42 x 60cm
Medium: Acrylic on paper
Age: 17 years old

Acrylic painting on A2 sheet of paper

03 / 30

Amelliane Eleonore

Nourished Through Tears image

Amelliane Eleonore

Nourished Through Tears
School: St Andrews School
Dimension: 30 x 30 x 5cm
Medium: Acrylic on paper
Age: 16 years old

This artwork captures the haunting reality of war and its impact on the most innocent – the children. A baby, clinging to its mother for survival, breastfeeds with wide, tearful eyes. The raw emotion in the child’s face speaks louder than words – a mix of fear, hunger, and silent suffering. In times of war, basic needs like food, safety, and love become luxuries. Families are displaced, and mothers become both protectors and providers in the harshest of conditions. The child’s tears are not just emotional; they reflect a reality shaped by violence, poverty, and uncertainty. The contrast between the nurturing act of breastfeeding and the child’s visible distress symbolizes the fragile balance between life and loss during conflict. This is not just an image of a child – it is a reflection of countless lives caught in the chaos of human conflict. The piece challenges us to look beyond headlines and see war’s true cost – not in numbers, but in faces.

04 / 30

Anjalee Ramsamy

Movement of Art image

Anjalee Ramsamy

Movement of Art
School: Mahatma Gandhi Institute
Dimension: 47 x 62cm
Medium: Oil and acrylic on canvas
Age: 18 years old

This artwork illustrates a woman mid-dance, her body arched gracefully as flowing fabric trails her movement. With expressive brushstrokes and a soft, dynamic palette, the painting conveys fluidity and energy. Light and shadow sculpt her form, enhancing the sense of motion, while the abstract background suggests rhythm and atmosphere. The work transforms a fleeting gesture into a timeless expression of movement and emotion.

05 / 30

Camall Saib Mohammad Za’eem Ibn Izam

Fractured Reflection image

Camall Saib Mohammad Za’eem Ibn Izam

Fractured Reflection
School: Eden College Boys
Dimension: 30 x 42cm
Medium: Aquarelle and felt pen
Age: 17 years old

A fragmented portrait merging bold colours and sharp lines, symbolizing identity’s fragility and the beauty within imperfection.

06 / 30

David Marie

MO TI ZIL  image

David Marie

MO TI ZIL
School: Lighthouse Primary and Secondary School
Dimension: 106 x 150cm
Medium: Digital art created in Adobe Illustrator
Age: 17 years old

First of all my inspiration for this Artwork comes from my Mauritian origin and through it I want to decipher different things that form part of my Mauritian identity. That’s why I’ve chosen the tropical flower HIBISCUS, which in Mauritian creole is called “IBISKIS”. This flower with its fascinating blending colors forms part of my childhood as I had one in my garden since a very young age and as the son of a woman passionate about agriculture, I’ve decided to choose the Hibiscus flower. The Sega Tipik, had to definitely form part of this artwork. It is the Mauritian traditional music and dance which I believe ignites the soul of every Mauritian as soon as one listens to it. Reunites family, shares life lesson and most importantly peace becomes present for a laps amount of time. Sugarcane, which in Mauritian creole is called “KANN”, is something that I think every Mauritian has seen in their lifetime. Travelling through Mauritius by car, bus, motorcycle or any other existing transportation, sugarcane will be seen. When I look at these huge sugarcane fields, while passing by them, I imagine some huge green waves going back and forth along with a slight breeze sliding through them. FISHERMAN known as “PESER” in Mauritian creole, are the people that fights against the waves to feed their family. Fishing is something that I really like, as a kid who grew up on the coast of Mauritius. Going fishing with friends, laughing with them, talking about anything and everything and some time a little bit of self reflection. COIN DE MIRE, known as”KOIN DE MIR” in Mauritian creole, is a little island that is well known among the Mauritians, specially those who lives on the coast. Mauritian FOOD, known as “MANZE” in Mauritian creole, is a mix of culture and origins. These tasty and delicious Mauritian snack that can easily be found in the capital of Mauritius, Port-Louis, makes you discover different cultures in one day. The ones that I prefer are the well known GATO PIMA (chilli cake) , DIPAIN FRIR (fried bread) , BAJA, ROTI, DHOL PURI and without forgetting something sweet and refreshing, ALOUDA. I introduce MY LITTLE ISLAND to you, which in Mauritian creole is called “MO TI ZIL”.

07 / 30

Davissen Moonsamy

Mauritian Landscape image

Davissen Moonsamy

Mauritian Landscape
School: Nelson College
Dimension: 30 x 15 x 10cm
Medium: Acrylic on canvas
Age: 16 years old

A landscape painting of Mauritius.

08 / 30

Eliam Sudally

A party of 2 worlds image

Eliam Sudally

A party of 2 worlds
School: Droopnath Ramphul SC
Dimension: 42 x 30cm
Medium: Watercolour on paper
Age: 17 years old

A mermaid of the deep and an angel of the skies stand side by side, glasses in hand. Sea and air couldn’t be more different, yet in this captured moment, their bond outshines the party lights – proof that friendship doesn’t ask where you come from, only where your hearts meet.

The painting depicts two ethereal beings, a pink-skinned angel and a blue-skinned mermaid, at a party. The angel, with her large, purple wings, embraces the mermaid, symbolizing the warmth and strength of their friendship. Their shared bond is further highlighted by the martini glasses they hold, which represent their shared experiences. The color palette is deliberately chosen to enhance their individual identities and the connection between them. The angel, bathed in warm pink tones, evokes the fiery hues of a sunset, specifically as it dips closer to the horizon. In contrast, the mermaid’s deep blue skin, reminiscent of the mysterious abyss, is brought to life with a shimmering quality, suggesting a journey towards the light or the surface. The wings, painted in a blend of pink and blue, create a beautiful purple hue, serving as the visual ‘common point’ where their two distinct worlds meet and merge. The artwork is styled to mimic a snapshot from a digital camera, capturing a fleeting moment of intimacy and shared joy.

09 / 30

Galiana Appadu

Fashionista: Standing Out Through Fashion image

Galiana Appadu

Fashionista: Standing Out Through Fashion
School: Queen Elizabeth College
Dimension: 60 x 43cm
Medium: Acrylic
Age: 16 years old

This acrylic painting explores fashion as a living form of art. At its center, a red-toned figure radiates green, star-like rays, symbolising individuality and creative energy. The plain beige background, decorated with minimalist doodles, creates a calm space that lets the colors speak. Inspired by my own fashion sense, the work blends a vintage scrap-journal aesthetic with my personal style choices. It reflects my belief that fashion is more than clothing – it is a way of perceiving the world, shaping identity, and expressing culture.

10 / 30

Georgia King

Four Myself By Georgia King  image

Georgia King

Four Myself By Georgia King
School: Lighthouse Primary and Secondary School
Dimension: 150 x 150cm
Medium: Mixed media digital artwork
Age: 17 years old

Digital artwork of 4 different versions of myself. One from my childhood, one when I was 13 in the blue shirt, one of me at 17, in pink shirt embracing the joy of the present and a future version of myself. I shot the background image which represents my love for nature in Moris!

11 / 30

Goordeepsingh Rajmun

Whispers Through the Birch  image

Goordeepsingh Rajmun

Whispers Through the Birch
School: Mahatma Gandhi Institute Secondary School Moka
Dimension: 100 x 120cm
Medium: Acrylic paints and palette knife techniques
Age: 18 years old

Step into the calm beauty of a quiet lakeside morning with Whispers Through the Birch. Tall birch trees rise gracefully like old friends their white trunks marked with lines and patterns that tell their own stories. Soft sunlight filters through leaves of green and gold casting gentle shadows across the deep blue water. The lake rests in stillness broken only by the thought of a slow ripple or the whisper of a breeze through the branches. Painted with acrylics and a palette knife the textured strokes bring the bark the leaves and the water to life. This painting invites you to pause for a moment as if you are standing there yourself feeling the fresh air and hearing nature’s soft sounds. It is a reminder of the simple beauty and peace found in nature.

12 / 30

Julia Law Pak Hun

Comfort in prayer image

Julia Law Pak Hun

Comfort in prayer
School: Ebene SSS Girls
Dimension: 30 x 42cm
Medium: Oil on canvas
Age: 18 years old

Silent prayer meets gentle light, as faith and God make life feel bright and a whole.

13 / 30

Lacire Jean Corneil Asael

Coastal Serenity image

Lacire Jean Corneil Asael

Coastal Serenity
School: Eden College Boys
Dimension: 42 x 49cm
Medium: Acrylic paint, charcoal, watercolour
Age: 16 years old

I wanted to show a tranquil harbor view where boats rest peacefully, reflecting the calm and colourful waters of the bay.

14 / 30

Maeva Grand-Port

Cultural Identity image

Maeva Grand-Port

Cultural Identity
School: Westcoast International Secondary School
Dimension: 29 x 40cm
Medium: Painting on paper
Age: 15 years old

This painting reflects the painter’s cultural identity through the choice of symbols, colors, and traditional elements that are unique to their heritage. The imagery conveys personal stories, customs, and values passed down through generations, offering a visual connection to their roots. It serves as both an artistic expression and a preservation of cultural memory.

15 / 30

Maheera Dowlut

My Cat My World  image

Maheera Dowlut

My Cat My World
School: Queen Elizabeth College
Dimension: 40 x 60cm
Medium: Painting on canvas using acrylic colours and collage work
Age: 16 years old

This artwork is a reflection of my deepest bond, the one I share with my cat. Through a combination of detailed realism, soft graphite work, and geometric patterns, I capture the way my world and theirs are intertwined. My cat is a ball of joy that enlightens my life

16 / 30

Marie Fabiola Mathieu

The Beauty of Nature image

Marie Fabiola Mathieu

The Beauty of Nature
School: Ideal College
Dimension: 55 x 48cm
Medium: Acrylic paint and colored pen on paper
Age: 16 years old

Due to the industrial development, we are seeing less and less of these insects.

17 / 30

Nandini Reet Meetoo

The Central Market of Port Louis  image

Nandini Reet Meetoo

The Central Market of Port Louis
School: Le Bocage International School
Dimension: 54 x 65cm
Medium: Acrylic
Age: 17 years old

The painting was inspired from my previous research to realize an art piece which I submitted for IGCSE exams. This artwork is different from the one submitted but had nevertheless had a strong impact on me as I had enjoyed exploring the “market place” theme. I realized this art piece with as much enthusiasm and I added further details which I had not included before. The green wrought iron structures and cobblestones are the vestiges of a distant past that reminds us of the struggles of slavery in the early formation of the Mauritian nation, into the one we know today.

The artwork depicts the central market of Port Louis built in 1828 by British colonizers. It is a vibrant place where diverse Mauritian cultures intertwine.

18 / 30

Piya Narandas

New Roots image

Piya Narandas

New Roots
School: Lighthouse Primary and Secondary School
Dimension: 29 x 35cm
Medium: Oil paint, oil pastel and acrylic paint.
Age: 18 years old

This portrait was inspired by the struggles of teenhood and finding a balance between your purpose and your free nature. New Roots symbolises change and having a conscious mind that can hold inner peace and freedom.

This artwork expresses the path to exploring your purpose. Our free spirits are often explored in rebellious ways. Balance is found between the chaos and your inner peace.

19 / 30

Raman Rampertab

Nature's blessing image

Raman Rampertab

Nature’s blessing
School: Droopnath Ramphul State College
Dimension: 50 x 70cm
Medium: Mixed media on canvas
Age: 17 years old

This portrait was inspired by the breathtaking sunset of Mauritius, the historical significance of Le Morne. The calm Buddha reflect the spiritual harmony.

A vibrant painting of Buddha with colors, flowers, and butterflies blending into a Mauritian sunset. Le Morne mountain rises by the turquoise sea, while a young girl holds a flower in peace. It reflects Mauritius’ beauty, culture, and harmony between nature and spirituality.

20 / 30

Ramy Najaina Sauzier

Whispers of the Raven  image

Ramy Najaina Sauzier

Whispers of the Raven
School: G.M.D Atchia State College
Dimension: 40 x 60cm
Medium: Oil on canvas
Age: 18 years old

A portrait painting inspired by a native American story. This painting showcase the unbreakable bond and coexistence between humans and nature.

21 / 30

Ronith Domee

Crimson Crown image

Ronith Domee

Crimson Crown
School: DAV Morcellement St Andre
Dimension: 46 x 36cm
Medium: Acrylic paint, airbrush with paint reducer and thinner
Age: 18 years old

The ‘Crimson Crown’ is a grayscale painting of a tropical iguana in Mauritius, focusing on the vibrant crimson and red spine that form its crest. This striking feature is a powerful symbol of the creature’s sufferance, a testament to its patient endurance of the hardships and trials of its world, ‘La souffrance tropicale’.

22 / 30

Sahil Jethoo

Chameleon Encounter: The Art of the Hunt image

Sahil Jethoo

Chameleon Encounter: The Art of the Hunt
School: Adolphe De Plevitz SSS
Dimension: 45 x 56 x 5cm
Medium: Mixed media on plywood
Age: 18 years old

In this captivating mixed-media painting, a vibrant jungle scene bursts to life with dramatic texture and realism. Four uniquely colored chameleons – each distinct in form and expression – interact within a lush, mysterious forest. The centerpiece features a green chameleon with a sculpted, extended tongue dramatically snatching a fly mid-air, blending motion and anticipation. Around it, other chameleons observe or prowl silently, camouflaged against the swirling, ethereal greens and blues of the forest. Crafted with a blend of oil painting and three-dimensional elements, this piece immerses the viewer in the stealthy, almost mythical world of these remarkable reptiles. The interplay of color, texture, and lifelike form tells a story of survival, curiosity, and nature’s intricate beauty.

23 / 30

Seelochun Jaina Bhuvi

Le Morne Brabant  image

Seelochun Jaina Bhuvi

Le Morne Brabant
School: DAV Morcellement St Andre
Dimension: 40 x 60 x 40cm
Medium: Acrylic
Age: 16 years old

Mauritian national heritage site. History and present of Le Morne brabant mountain. Le Morne brabant is a living example of freedom, independence and respect for thier values and cultures.

24 / 30

Sera Bibi Zuhayrah BOODHUN

A Glow Within image

Sera Bibi Zuhayrah BOODHUN

A Glow Within
School: Ebene SSS Girls
Dimension: 22 x 38cm
Medium: Oil on canvas
Age: 16 years old

A quiet symbol of hope, resilience or the unseen strength within.

25 / 30

Shenane Selena Ng-Wing-Yik

Whispers of Flames  image

Shenane Selena Ng-Wing-Yik

Whispers of Flames
School: Royal College Port Louis
Dimension: 70 x 90cm
Medium: Acrylic on canvas
Age: 17 years old

My painting captures a mystical moment between a woman and a fiery phoenix, as if caught in the middle of a silent conversation. The woman, draped in flowing robes that echo the bird’s vibrant feathers, sits poised and contemplative. The phoenix unfurls around her, its wings forming a luminous halo of energy and flame. The fluid brushstrokes blends the two figures into one harmonious scene suggesting rebirth, inner fire, and the sacred bond between the human soul and the eternal.

26 / 30

Suhani Beharee

Speed Thrills, But It Kills image

Suhani Beharee

Speed Thrills, But It Kills
School: Lighthouse Primary and Secondary School
Dimension: 30 x 42cm
Medium: Digital print
Age: 18 years old

The final poster was made using Canva. It completely transforms the pop art crash image into a complete awareness campaign piece. I chose this theme as there are too many road accidents happening today, and it is important to promote alertness, especially among drivers who often underestimate the risks of speeding. The pop art becomes the centrepiece of the poster, framed within graphical design elements such as the bright, vivid red halftone dots background symbolising urgency and danger, thick hazard-striped borders that symbolise a warning signage, and large bold comic typography demanding attention. The slogan ‘Speed Thrills, But It Kills’ is done in bright yellow with bold black outline to keep the dramatic tone of a classic vintage comic lettering. While the pop art conveys the emotional impact of the accident, the poster amplifies the message by drawing the viewer’s attention and reinforcing the urgency of the warning. The wording and images together serve as a call to action to remind people that the excitement of speeding is never worth the irreversible consequences.

27 / 30

Tiara Appadoo

Molly, Man's Best Friend image

Tiara Appadoo

Molly, Man’s Best Friend
School: Westcoast International Secondary School
Dimension: 21 x 30cm
Medium: Acrylic and watercolour
Age: 17 years old

Molly, Man’s Best Friend is a portrait of my grandparents’ dog, Molly. I wanted to capture how much joy and comfort she brings them, especially now that their home feels quieter in their empty-nest years. I used soft watercolour washes to show her gentle nature, layered with text.

28 / 30

Vedanshi Seetul

Human Nature image

Vedanshi Seetul

Human Nature
School: Droopnath Ramphul State College
Dimension: 30 x 42cm
Medium: Watercolour, coloured pencils, felt pens, alcohol markers, acrylics, graphite pencil and grass pigment
Age: 16 years old

The painting , titled ‘Human Nature’, suggests that we are not separate from the wildness of the world. On the contrary, it illustrates our inner landscape – a wild, complex and often unpredictable realm. The lush and vibrant tapestry of plants and exotic flowers beautifully demonstrates the idea that within each of us lies a microcosm of nature’s symbiosis.

29 / 30

Yadvee Bhagwansing

Grey Matter Gone  image

Yadvee Bhagwansing

Grey Matter Gone
School: Queen Elizabeth College
Dimension: 50 x 70cm
Medium: Collage, acrylic paint on canvas and clay
Age: 17 years old

This portrait represents the damage caused to physical and mental health by alcohol consumption – the Torn paper shows gradual memory loss, vivid reds evoke confusion and anxiety. A chained heart symbolizes alcohol’s link to cardiovascular disease, myriad strokes replacing the head show dizziness, and round shapes depict neuron damage.

30 / 30

Yaryna Rhea Boodhun

Breath Between Beats image

Yaryna Rhea Boodhun

Breath Between Beats
School: Mohun Prasad Sharma Judgdambi State Secondary School
Dimension: 30 x 42 x 11cm
Medium: Black-and-white pointillism and charcoal
Age: 16 years old

This work explores the sensual rhythm between two bodies locked in an intimate embrace. Inspired by the fluidity and tension of sensual dance, I sought to reveal how posture, hands, and subtle gestures can speak louder than words. Using black-and-white pointillism and charcoal, I built the image dot by dot and shade by shade, capturing both the physical energy and the emotional depth of the moment. I chose pointillism for its ability to create soft gradients and textures that echo the gradual build-up of intimacy in movement, while charcoal deepened the contrast and added warmth to the shadows.

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Thanks for voting!

Judges

Heidi Erdmann image
Heidi Erdmann
Art historian and Curator
Heidi Erdmann image

Heidi Erdmann

Art historian and Curator

Heidi Erdmann is art historian and curator based in Cape Town, South Africa. With a long-
standing entanglement with contemporary photography, she has made significant contributions to the art world as the founder of two successful commercial entities. Her curatorial vision and deep engagement with the visual arts have earned her national and international recognition and most of her projects are documented as published articles and/or exhibition catalogues. She is the author of the widely acclaimed art book Manfred Zylla: Art and Resistance.

In 2018, she expanded her academic and professional horizons by retraining and completing an MA degree and a short course in Estate Law. This marked the beginning of Legacy, her platform dedicated to heritage and legacy projects, through which she continues to explore the intersections of art, memory, and cultural preservation. Her academic research focuses on decolonial practices within museums of the Global South. More recently, her intellectual curiosity has led her to the history of the Indian Ocean Slave Trade, where she investigates the role of syncretic music in shaping cultural identity. Erdmann’s work stands at the crossroads of art, history, and justice-bridging past and present, with an eye always on legacy.

Howard Bilton image
Howard Bilton
Founder and Chairman  
Howard Bilton image

Howard Bilton

Founder and Chairman  

Howard Bilton, a British-born entrepreneur and barrister, has made a multifaceted impact on tax advisory services, philanthropy, and the wine industry in Portugal and beyond. His ventures reflect a unique blend of business acumen and social responsibility, creating a lasting legacy in each sector he touches. 

Tax

As the chairman and founder of The Sovereign Group, Bilton has significantly influenced the tax landscape, particularly for expatriates and international businesses. The Group provides comprehensive tax planning and wealth management services, which help clients navigate complex tax systems. By doing so, it supports individuals and companies to optimize their tax positions within the legal framework, fostering an environment that is conducive to foreign investment and economic growth in Portugal. 

Charity

In the realm of charity, Bilton’s establishment of The Sovereign Art Foundation has made a notable impact on the local and international art scenes. The foundation not only recognizes and supports artists through awards and exhibitions but also raises substantial funds for charitable causes. A significant portion of its work is dedicated to using art as a medium for educational and healing purposes, particularly for disadvantaged children. Through these initiatives, Bilton has harnessed the power of art to make a tangible difference in the lives of many, providing both cultural enrichment and social support. 

 Wine

With Howard’s Folly, Bilton has ventured into the wine industry, intertwining the worlds of oenology and art. The winery is known for producing high-quality wines that reflect the rich terroir of Portugal, contributing to the country’s reputation as a producer of fine wines. Beyond the production, Howard’s Folly serves as a cultural destination, hosting art exhibitions and events that attract visitors from around the world. This unique concept not only promotes Portuguese wine but also elevates the cultural experience of wine tasting, setting a precedent for how wineries can engage with the arts. 

Overall Impact

Howard Bilton’s impact in the fields of tax, charity, and wine is characterized by a forward-thinking approach that leverages professional expertise to foster cultural and social development. By integrating his business endeavors with philanthropic goals, Bilton has shown that commercial success can go hand-in-hand with making a positive social contribution. His efforts have provided a model for sustainable development, showcasing how individual dedication to professional excellence and social responsibility can lead to broad and beneficial societal impacts. 

 

Malika Teeluck image
Malika Teeluck
Visual Artist and Art Therapist
Malika Teeluck image

Malika Teeluck

Visual Artist and Art Therapist

Malika is a Mauritian National and studied Arts in India. She is inspired by Nature and Women. Nature through iconic plants and animals in the context of human kind and women through patience, grace and beauty in a male dominated world. Glimpses of peace and tranquillity in a self-destructive world come out in her paintings through movements and sounds that can be deciphered within. These strong emotions and icons are painted using light non-contrasting colours that reflect shades & gradients without corrupting or directing the mind of the viewer. Her works are mostly compositions based on historical events like slavery and futuristic ones based on hindu mythology.

Malika exhibited her work abroad in India in 2011 for IFACS, in Paris in 2011 and in Reunion Island in 2010. She also did several Solo & Group exhibitions locally and is currently an active member of the NGO Carpe Diem Art therapy.

Madhvi Nunkoo ETWAROO image
Madhvi Nunkoo ETWAROO
Senior Educator at DAV College Port Louis
Madhvi Nunkoo ETWAROO image

Madhvi Nunkoo ETWAROO

Senior Educator at DAV College Port Louis

Being an educator for 37 years my philosophy has been to expand the work of art by students not being done only in the four walls.

I played an important key role in developing our curriculum, encouraging students’ artistic talents, and organizing events like team building. Beyond classroom I have been active in community work as well as examiner for School certificate examinations for several years as team leader.

I have engaged myself in many extra curricular activities for my students in which I believe there is true growth and learning, furthermore there are more years to go in inspiring the youth to love Art for Art.

Meha Desai image
Meha Desai
Documentary Photographer and Writer
Meha Desai image

Meha Desai

Documentary Photographer and Writer

Meha Desai is a Mauritian-Indian documentary photographer and writer whose work engages with long-form storytelling, focusing on migration, labour, climate change, and the quiet resilience of communities often left at the edges of dominant narratives. With a background in English literature and art history, she approaches photography as both document and dialogue — a way of paying attention, of spending time, and of being in conversation with the lives she photographs.
Her work often centres on women — their migrations, rituals, and the everyday negotiations that shape their worlds — and traces how communities carry culture, memory, and meaning through shifting landscapes. Her process is grounded in fieldwork, long-term engagement, and careful attention to context.

Desai collaborates with NGOs, grassroots initiatives, ethical brands, and editorial platforms to create photographs and stories rooted in trust, consent, and care. Whether building a visual archive for a cultural project or documenting a public health campaign, her work stays close to the ground and to the people at its heart.

Her photography and writing have appeared in Harper’s Bazaar India, Whetstone, Magazine, Eater, and Goya Journal, and have been exhibited in Mauritius and internationally. Alongside her visual work, Desai fosters community through initiatives like Lasam Maron, a travelling library and platform for feminist and marginalised voices developed in partnership with resort, a collective of artists focused on care-based practices and alternative cultural production. She is also a co-curator at resort.

Revaa image
Revaa
Artist
Revaa image

Revaa

Artist

She was born in a family where Art, in its different forms manifested before her, whether it was theatrics, paintings or classical dance.

She received a Bachelor in Fine Arts (Interior Decoration) from the prestigious Sir J.J. School of Arts, Mumbai, India. Soon after, she started her career as an interior designer. Feeling drawn to painting and teaching, she eventually became an Art Educator, taking pride in sharing her
passion.

She has the ability to adapt to various techniques such as acrylics and mix media. Her artworks reflect a major influence of geometry and symbols of ancient societies.

She is continuously inspired by the positive energy flow around her, which resonates in her artworks and believes that there is no better teacher than life.

Sponsors and Supporters

SAF-Sponsor logo
Organiser
Atlas-Life-Logo
Gold Sponsor
Currimjee-Logo (1)
Gold Sponsor
Logos-50 (1)
Gold Sponsor
MCB-Logo
Gold sponsor
Bloomage-logo
Silver Sponsor
Elite-Cleaning-Solutions
Bronze sponsor
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Key Dates

Submission Period

7 April — 15 August

Shortlist Announcement

— September

Finalists Exhibition

October 2025 — February 2026

Awards Ceremony

— February 2026

How To Participate

01

Nomination

Participating students must be nominated by their teacher. Teachers can nominate up to 10 students to enter. Upon entry, students will be asked to enter the name of their nominating teacher.

Click here for T&Cs.

 

02

Artwork Submission

Nominated students can submit up to three artworks online before the submission deadline. Please follow the entry instructions in the T&Cs.

Our panel of judges will then select 30 student artists for the shortlist.

03

The Prizes

The Judges Prize of Rs20,000 is awarded to the student artist with the highest score from the judges. Rs35,000 is awarded to the school of the Judges Prize winner.

The Public Vote Prize of Rs15,000 is awarded to the student artist with the most votes from the public. Rs25,000 is awarded to the school of the Public Vote Prize Winner.

Events and Exhibitions

mTo be announced.

Prize Winners and Previous Finalists

2023

Prize Winners and Previous Finalists arrow
Judges’ Prize Winner
Yoshika Chumun
Yoshika Chumun art
Public Vote Winner
Tanya Kelly CHEUNG CHIN YAN
Tanya Kelly CHEUNG CHIN YAN art

2022

Prize Winners and Previous Finalists arrow
Judges Prize Winner
Ekesh Beeput
Ekesh Beeput art
Public Vote Prize Winner
Yeshna Cooberhising
Yeshna Cooberhising art

2021

Prize Winners and Previous Finalists arrow
Judges Prize Winner
Bibi Zaheerah Banu Toorabally
Bibi Zaheerah Banu Toorabally art
Public Vote Prize Winner
Naveniten Valleeamah
Naveniten Valleeamah art

2020

Prize Winners and Previous Finalists arrow
Judges Prize Winner
Aisha Akbar
Aisha Akbar art
Public Vote Prize Winner
Vanusha Kaully
Vanusha Kaully art